
I'm self-taught and sometimes I don't feel legitimate because I didn't go to art school (the famous impostor syndrome). Whether I'm a painter or a dabbler, it doesn't really matter what label I give myself. What's essential for me is the passion that drives me when I paint.
My artworks are pieces of who I am, pieces of my thoughts, emotions and feelings.
Endowed with a fertile imagination, it's through abstract painting that my creativity can manifest itself with no limits on shapes and colours. I often include a few figurative elements in my compositions to express my approach more clearly.
Nature, the main source of my inspiration, has always fascinated me. Its wild beauty, richness and generosity inspire me to tell its story, to draw it, to paint it, to reveal it as I see it.
My intention is to tell you a story, to take you on a journey, to make you dream, but also to embellish your walls.
I use acrylics exclusively and paint more particularly with palette knives.
I offer artworks on wooden stretchers with cotton or linen canvas. All my canvases are varnished and sold with a certificate of authenticity attesting to the originality and uniqueness of the work.
My creative process is as classic as it gets. I either have a desire to tell something very specific, and then a composition simply takes shape in my mind, or I have nothing in mind, just a desire for color, and then I naturally let myself be guided by my intuition. This is where it becomes interesting and a little disturbing at times, because things that were clearly buried deep in my subconscious often surface on the canvas.
When I paint, I'm in my own world; the environment and time no longer exist; I find myself alone, and I love this moment of solitude.
Even though acrylics dry very quickly, I like to take my time. Between the base coats and the varnishing, generally about ten days pass.
People sometimes ask me what my work means, and I gladly give it, but I especially appreciate it when someone gives me their own interpretation. Since there is always a part of self-projection in what we observe, the exchange that I can have with my interlocutor is often moving and sometimes very funny. This kind of sharing touches me a lot.